Wizardry

Many people, even those conscious of the way that Whites are trying to kill and replace themselves with non-Whites, think mistakenly that the Harry Potter series is safe from such; that it is an old-fashioned story about White kids.  Not so.  The White craving for universalism has led to the replacement of so much of culture for a very long time, including changing immigration laws, general perceptions of people born from other genetic groups, and child education, had been done before in the first Middle Eastern attack (rabbi-worship).  Along those lines, the Harry Potter series (HP for brevity) fosters and perpetuates universalism.  Although it attracts Whites with an all White cast of main characters, it works in Blacks cunningly.  White fans were like a drug addict who only offers herself to the dealers' thugs in the privacy of the bathroom for a hit (as though that even matters--she's an un-virtuous addict).  

The books foreshadowed the movies of years later.  Here's a list of 10 Black side-wizards who were not at all important in the books but presented the desired setting image when the movies began to show children the way Britain should look.  The later spinoff "Black Hermione" was just another step...

...and Black Snape another.  

It seems surprising, an artistic abuse, to many angry White fans, but really, HP has always been about destroying human groups to mash them all into one group.  The "Houses" of HP bonded by the over-unity of "Hogwarts" indicate how different kinds of people are to bond, as of course exemplified by Europeans adhering to a Middle Eastern "wise man."  It is of course said after many years by Whites to be offensive to show exclusively White characters in a fictional product.  There was some kerfluffling when Harry Potter and the Cursed Child was to be shown with a Black Hermione, so the internet showed more of Rowling's original sketches of the characters; we've put them here (Snape is doubled; sorry): 

As can be seen, the original product gained popularity as a 100% White story, but was later changed to appeal to White fans.  The way that Whites are drawn instinctually toward homogeneity, but with thought and time consciously seek to prove their goodness by seeking heterogeneity can be here shown.  

(The kerfluffle during Cursed Child was after all the books and movies had come out, so the time for claims of "I meant them to be Black" was over.  Rowling tried that until some people posted her pictures on the net, as which point she didn't mention it.)  

We had said, "It is of course said after many years by Whites to be offensive to show exclusively White characters in a fictional product."  However, what is overlooked is that it is an insult to Black people too.  It treats them as tokens, used just for their color to insert them into a completely White narrative.  Everything that the imaginary "racists" are doing, the anti-racists actually are doing.  

(The brown robes worn by the wizarding students demonstrate how the process works: mix a bunch of colors together, and you get brown.  That's why poop is brown--because it's a mix of all the stuff not needed in the body.  Note also the desired "world government."  The woman character who met the protagonist in the future in H.G. Wells' story "The Time Machine" resembles the future person that would live in the unipolar world envisioned by his "The Open Conspiracy."  Like so many other Whites entranced by the desire for universalism into saying you should believe in a rabbi who says everyone came from the same place, Wells' future woman is browned pink, representing the descendants of people like him--Whites from England--having reproduced with brown-skinned peoples.  

Like the Beatles were heavily advertised to the Boomers to get them to focus on personal satisfaction (which we've heard is hard to get--sometimes you get none!) rather than children, Decay used a White main cast to lure English-speakers into liking something that was really meant to be heterogenous.  Human societies that are free tend to be homogenous; human societies that are not free tend to be heterogenous (thank Mr. Gorbachev for deciding to end the Soviet Union rather than flying in a buncha immigrants to "revitalize" it so that T.a.t.u. would've been a bunch of heavyset sheboons rather than hotties).  

Hagrid

It is repeatedly emphasized in the books that Hagrid is a mixed breed.  His mother miscegenated, and had a less-big child.  

Childbearing Relationships

The unmarried "professors" at the children's school are similar to the homoeroticism fostered by Jesus and his Merry Men oops sorry apostles, and of Robin Hood and his Top John oops sorry we mean big Little John and the Merry Men.  No teacher at Hogwarts is married; they all live this strange dark fantasy about ending and decay, where the women hit menopause and there are just no kids--genes end.  

Head Baddy

Voldemort is, of course, a white White guy.  This matches the Angle tradition of having the true bad guy be a straight, White British boy (a SWBB).  Think about it--James Bond, if ever there were a SWBB, fights through many stormtrooperish flunkies before finding out that--surprise surprise--the mastermind telling all those people what to do is a SWBB (sometimes but not always with other citizenship, so a SWB).  

Sorting Into Houses

Like the distinction between magical (the story version of normal; real) people and Muggles (the story term for non-magical people), the discrimination between groups hidden behind the formal equity of the narrative is damning.  Whites like discrimination, but consciously say discrimination is wrong.  The delight and passion of a magic hat sorting all the good characters into Gryffindor reveals.  Just like White people prefer White neighborhoods though most say otherwise, there is a divide between what is truly wanted and what people say is wanted.  Here, the relevance is that people popularized a story about all White mains discriminated into Houses while insisting they are race-neutral and completely against discrimination.  

The entire HP narrative and phenomena are another expression of the way that Whites say they are different than they actually are.  The named author of this series likely believes the same--that she made a story completely about the fight against discrimination well actually just making another story about SWBB against SWBB with the first one having a lot of White friends and the second one having a lot of of (bad; get beaten up by the hero) White servants.  The appearance of the occasional unicorn (or other fantastical creature) does not change the fact that it is just another SWBB v. SWBB story.  Add a master/servant relationship or 15, firearms, age, or authority, but it's really just a tale of SWBB v. SWBB.  The tokens being added in the background indicates the foulness of the adders, and also emphasizes that of the self-deceiving White fools who handed over their money to an expression of non-discriminatory discrimation (sic).